This seminar will address code as an object and medium of contemporary critical inquiry, political engagement, and artistic and literary production. Issues and genres that we will study throughout include the poetics, aesthetics, and politics of code; Saussurean semiotics; codework; operational text; electronic English and global language politics; machine translation; software cultures (including the Free Software and Open Source movements); the control society; and hacktivism and tactical media. We will also discuss the virtual class (variously, the Netzvolk, the digerati, the cognitariat) and the “California ideology” in relation to neoliberalism. One of the premises of the course will be that it is not simply a technical process of compilation that links the symbolic systems of language and code – that is, natural languages and the tower of programming languages, from machine language up to fourth-generation programming languages. Rather, they are bound up in a feedback loop wherein code not only has a material effect on the world but socio-cultural formations are mapped onto code.
Experimental writing and poetry by John Cayley, mez, Talan Memmott, Genco Gulan, Ted Warnell, and others. Theory and criticism will include N. Katherine Hayles, Florian Cramer, Pierre Bourdieu, Paolo Virno, Alexander Galloway, Eugene Thacker, Gilles Deleuze, Lawrence Lessig, McKenzie Wark, and others. Media artists and tacticians include 0100101110101101.org, the Electronic Disturbance Theater, and others. Books include Hayles, My Mother Was a Computer: Digital Subjects and Literary Texts; Galloway, Protocol: How Control Exists After Decentralization; Paolo Virno, A Grammar of the Multitude; Lessig, Code.v.2 wiki; and Cramer, Words Made Flesh: Code, Culture, Imagination.
For sample texts, please view John Cayley, with Giles Perring, Translation; Talan Memmott, Lexia to Perplexia; Ted Warnell, "Lascaux.Symbol.ic" and "VIRU2"; and mez, _the data][h!][bleeding texts_.
Please note that programming is not required. |
