Samuel Colman
1780-1845 |
| The Destruction of the Temple |
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1830-40 oil on canvas, 53.4 x 77.4 in, Tate Britain |
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John Constable
1776-1837 |
| Hadleigh Castle near Southend |
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(1814) pencil, 3 1/4 x 4 3/8", Victoria and Albert Museum |
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John Constable
1776-1837 |
| Hadleigh Castle (sketch) |
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(c. 1828-1829) oil sketch Tate Gallery |
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John Constable
1776-1837 |
| Hadleigh Castle (sketch; detail) |
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(c. 1828-1829) oil sketch Tate Gallery |
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John Constable
1776-1837 |
| Hadleigh Castle - The Mouth of the Thames - Morning After a Stormy Night |
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(1829 exh.) oil, 48 x 63 3/4", Yale Center for British Art |
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John Constable
1776-1837 |
| Cowdray House, the Ruins |
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(1834) pencil and watercolor, 26.7 x 27.4 cm, British Museum |
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Thomas Girtin
1775-1802 |
| Tintern Abbey |
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(c. 1793) watercolor, 15 x 10 1/2", Blackburn Museum and Art Gallery |
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Thomas Girtin
1775-1802 |
| The Great Halls, Conway Castle |
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(1798 or 1800) watercolor, 36.8 x 20.9 cm, British Museum |
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Thomas Girtin
1775-1802 |
| Kirkstall Abbey, Yorkshire - Evening |
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(c. 1800/1801) watercolor, 31.84 x 52 cm, Victoria and Albert Museum |
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Thomas Girtin
1775-1802 |
| Kirkstall Abbey, Yorkshire |
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(1801) |
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Jacob van Ruisdael
c. 1628-1692 |
| An Extensive Landscape with Ruins |
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National Gallery, London |
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Jacob van Ruisdael
c. 1628-1692 |
| A Landscape with a Ruined Castle and a Church |
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(1665-1670) oil on canvas, 109 x 146 cm, National Gallery, London |
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Joseph Mallord William Turner
1775-1851 |
| Interior of Tintern Abbey |
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(1794) watercolor, 12 5/8 x 9 7/8", Victoria and Albert Museum |
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Richard Wilson
1713-1782 |
| Landscape Capriccio on the Via Aemilia, with the Temple of the Sybil at Tivoli and the Broken Bridge at Narni |
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1754 oil on canvas, 38 7/8 x 53 1/2", Mr. And Mrs. Brian Thomas |
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Richard Wilson
1713-1782 |
| Caernarvon Castle |
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(c. 1744-1745) oil on canvas, 31 1/2 x 44", Baroness Elliot of Harwood D.B.E. |
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Richard Wilson
1713-1782 |
| Lyn Peris and Dolbadarn Castle |
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(c. 1762-1764) oil on canvas, 33 11/16 x 51 3/4", National Gallery of Victoria, Melbourne |
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