English 165VA,
Spring 2003
Professor
Patricia Fumerton
Literature
and the Visual Arts:
The Renaissance Self
|
Time
and Place
|
Office
Hours
|
|
2:00-3:15 TR
|
3:30-4:30 R & by appointment
|
|
SH1415
|
SH 2720
|
| Contact
Information: pfumer@english.ucsb.edu |
| Early Modern Center (EMC), SH2510; Hours M 8:30-12; T 8-10:30; W 11-12; R 9-12 |
| English Department |
Description
This course studies the relation between the verbal and the visual through a survey of changing modes of self-representation in sixteenth- and seventeenth-century English literature and art. Visual representations will include: formal portraits, emblems, maps, ballad images, miniatures, architecture, perspective painting, and family portraits. Literary representations will include: Shakespeare's Richard II, Spenser's The Faerie Queene, a seaman's journal, ballads, Jonson's masques, sonnets, and Webster's The Duchess of Malfi. Classes will have full access to the Early Modern Center's networked computers, databases, and digital projector.
Required Texts
Requirements
Paper Helpers
Calendar
WEEK 1: INTRODUCTION/ THE NATURE OF PUBLIC REPRESENTATION
| Tuesday, April 1 | Introduction |
| Thursday, April 3 | Versions of the Chain of Being |
| Michel
Foucault, from Preface
to The Order of Things Suggested Reading: E.M. W. Tillyard, Elizabethan World Picture |
|
| Web Resources | Background
on the English Renaissance |
WEEK 2: THE NATURE OF PUBLIC REPRESENTATION
| Tuesday, April 8 | Portraits of Elizabeth I |
| Introduction to Roy Strong, Gloriana: The Portraits of Queen Elizabeth I, pp. 8-44 (Reader) | |
| Slide
Carousel (Elizabeth Portraits) Richard II, 2.2.9-34 |
|
| Web Resources | Faces of Elizabeth
I Tudor and Elizabethan Portraits The Elizabethan Court The Jacobean Court Renaissance Portrait Gallery EMC Picture Gallery |
| Thursday, April 10 | William Shakespeare, Richard
II, Acts 1-3 |
| Slide Carousel (Geneological Table of Richard II) |
WEEK 3: PULBIC REPRESENTATION / ON THE ALLEGORICAL
| Tuesday, April 15 |
Shakespeare, Richard II, Acts 4-5 |
| Thursday, April 17 | Selections from Emblem
Books (Reader) |
| Slide Carousel (Emblems) | |
| Web Resources | English
Emblem Book Project Whitney's Choice of Emblemes German Emblem Books Alciato's Book of Emblems |
WEEK 4: ON THE ALLEGORICAL
| Tuesday, April 22 |
Spenser, Faerie Queene, Book 1, cantos 1, 4, 10 (Norton, pp. 628-41, 662-74, 734-50) |
| Thursday, April 24 | TAKE-HOME MIDTERM (5 double-spaced pp. max.). Due Tuesday, April 30 |
WEEK 5: AT COURT: THE
MASQUE
| Tuesday, April 29 |
The
Court Masque Suggested Reading: Inigo Jones: The Theatre of the Stuart Court, ed. Stephen Orgel and Roy Strong, Vol. I, pp. 1-14, in EMC library MID-TERM DUE |
| Slide Carousel (Masque Designs) | |
| Thursday, May 1 |
The
Court Masque |
WEEK 6: CHARTING THE NATION/CHARTING THE SELF
| Tuesday, May 6 | Coastal Charts and Barlow Optional Reading: Richard Helgerson's, "The Folly of Maps and Modernity" and his "The Land Speaks" (both in Reader) |
| Slide Carousel (Barlow's Charts) | |
| Thursday, May 8 | NO CLASS |
WEEK 7: POPULAR STREET
ART: THE BLACKLETTER BALLAD
| Tuesday, May 13 | Ballad
Form (In this class we are mostly not reading but viewing ballads as aesthetic artifacts. Study the formal features of the ballads (print type, ornament, woodcuts) in the Pepys facsimile volumes and look up in the Early English Books Online (EEBO) those ballads in the Reader with EEBO reproductions to see how they were originally printed.) Mark W. Booth, "Broadside: 'Description of a Strange Fish,'" from his Experience of Songs, pp. 97-113 Tessa Watt, "The Broadside Picture," in Cheap Print and Popular Piety, 1550-1640, pp. 131-177 |
| Web Resources | Blackletter
Ballads Broadside Ballads Sixteenth-century Ballads |
| Thursday, May 15 |
Selected Ballads in modern edition, mostly from Roxburghe collection
(Reader); facsimiles will be distributed in class: |
| Slide Carousel (Ballads) |
WEEK 8: THE NATURE OF
PRIVATE REPRESENTATION
| Tuesday, May 20 |
Renaissance Lyrics |
| Thursday, May 22 | Miniatures Patricia Fumerton, "Secret Arts: Elizabethan Miniatures and Sonnets," in Cultural Aesthetics, pp. 67-110 Suggested Reading: Eric Mercer, "Miniatures," from The Oxford History of English Art, 1553-1625, pp. 190-216; John Murdoch et al, The English Miniature; Jacques Derrida, from The Truth in Painting [on Kant's Critique], pp. 53, 57-60; Wendy Steiner, "Postmodernism and Ornament," Word and Image 4 (1988): 60-66) |
| Slide Carousel (Miniatures) | |
| Web Resources | Miniatures
Gallery EMC Picture Gallery |
WEEK 9: THE PRIVATE IN
PERSPECTIVE
| Tuesday, May 27 | Perspective Systems: Icons,
Annunciations, and Architecture |
| Slide Carousel (Banqueting Houses and Architecture) | |
| Web Resources | Perspective |
| Thursday, May 29 | Perspective Systems and the
Void of Self Jonson's Oberon (Reader) Jonson's Pleasure Reconciled (revisited; Reader) Patricia Fumerton, "Consuming the Void: Jacobean Banquets and Masques," from Cultural Aesthetics, pp. 111-67 Suggested Reading: Stephen Orgel, "Theaters and Audiences," from The Illusion of Power, pp. 1-36) |
| Slide
Carousel (Icons, Annunciations and Perspective) Slide Carousel (The Masque Revisited) |
|
| Friday, May 30 | Undergraduate conference on Early Modern Women, 1-5 pm., SH 2635 (attendance and a brief, 1-2 report on the conference will result in extra course credit) |
WEEK 10: THE FAMILY IN
PORTRAIT AND ON STAGE
| Tuesday, June 3 |
Family Portraits SECOND PAPER DUE (7-8 pp.) |
| Slide Carousel (Family Portraits) | |
| Thursday, June 5 |
John Webster, The Duchess of Malfi, Acts 4-5 TAKE-HOME FINAL (10 double-spaced
pages max.) |